When we built the Ex Machina Soundworks HQ test room, we originally aimed for a fully anechoic chamber. But physics—and a subway line three blocks away—had other plans. Hitting true anechoic noise-floor targets would’ve meant constant interference, so we engineered a purpose-built semi-anechoic chamber that we’ve learned to play like an instrument. The result? A uniquely tuned environment that still gives us the precision required to build the most accurate studio monitors on the planet. See wha
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When we built the Ex Machina Soundworks HQ test room, we originally aimed for a fully anechoic chamber. But physics—and a subway line three blocks away—had other plans. Hitting true anechoic noise-floor targets would’ve meant constant interference, so we engineered a purpose-built semi-anechoic chamber that we’ve learned to play like an instrument. The result? A uniquely tuned environment that still gives us the precision required to build the most accurate studio monitors on the planet. See wha
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