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www.theartsdesk.com
The Capture, Series 2 finale, BBC One review - gripping ride to a ...
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Disclaimer, Apple TV+ - a misfiring revenge saga from Alfonso Cuarón
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Film review of Lies We Tell by Lisa Mulcahy for the artsdesk by ...
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Album: MC5 – Heavy Lifting
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London Film Festival 2024 - a shaman and sham. Film revi…
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What We Talk About When We Talk About Anne Frank, Marylebone Theatre ...
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Fascinating Aida, London Palladium - celebrating 40 glorious years of ...
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The Taste of Things - a gentle love letter to haute cuisine
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theartsdesk Q&A: Singer Dee C Lee interview - The vocalist chats ...
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Album: Mystery Tiime - Maudlin Tales of Grief and Love | Th…
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Film review of Lies We Tell b…
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London Film Festival 2024 - Angelina Jolie does Maria Callas
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'The people behind the postcards': an in…
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Matthew Bourne's Romeo + Juliet, Sadler's Wells - exhilarating dancing ...
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theartsdesk Q&A: Lucie Shorthouse is flying high with 'We Are Lady ...
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The Turn of the Screw, English National Opera review - Jamesian ...
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The Crime Is Mine - entertaining froth from a crack cast
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Phaedra, National Theatre review - stunning acting in stunning show
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Bellringers, Hampstead Theatre - mordant comedy about the en…
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Kin, BBC One review - in Dublin's not-so-fair city
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Knife on the Table, Cockpit Theatre review - gangsters grim, not glamorous
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London Film Festival 2024 - Nickel Boys, crime and punishment and ...
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